In a Two Dimensional Work of Art That Is Balanced Symmetrically


Chemical element of Fine art

Line- marks made by a pointed tool: brush, pencil, pen, etc. Lines can vary in width, direction, curvature, length, or colour.

Shape-formed wherever the ends of a continuous line meet. Geometric shapes such as circles, triangles or squares have perfect, uniform measurements and don't often appear in nature. Organic shapes are associated with things from the natural world, like plants and animals.

Colour- wheels show the primary colors, secondary colors, and the 3rd (intermediate) colors. They as well show the relationships between complementary colors across from each other, such as bluish and orange; and analogous (similar or related) colors next to each other such as yellowish, green, and blue. Black and white may be thought of as colors only, in fact, they are not. White light is the presence of all color; black is the absenteeism of reflected low-cal and therefore the absence of color.

Value- tone, refers to dark and light; the value calibration refers to black and white with all gradations of grey in between. Value contrasts help us to see and understand a 2-dimensional work of art.

Form- describes objects that are iii-dimensional, having length, width, and tiptop.

Texture- tin be rough, bumpy, slick, scratchy, smooth, silky, soft, prickly--the list is endless. Texture refers to the surface quality, both fake and actual, of artwork.

Space- refers to distances or areas around, betwixt, or within components of a slice. Space can be positive (white or lite) or negative (blackness or nighttime), open or airtight,shallow or deep, and two-dimensional or three-dimensional.

Chief of Design

Balance- comfy or pleasing system of things in fine art. There are iii different types of remainder: symmetrical, asymmetrical, and radial. The human being effigy is symmetrically balanced; the same on the left and right side. The tree is asymmetrically balanced; its branches are not distributed every bit on each side, only their total weight is balanced left and correct. The sunday is an example of radial balance; all its rays are equal in length from the center.

Contrast- created by using elements that disharmonize with one another. Often, contrast is created using complementary colors or extremely light and dark values. Dissimilarity creates involvement in a piece and often draws the center to certain areas. It is used to make a painting look interesting.

Accent-in the focal surface area of an artwork gives it importance. An artist may stress some elements of the design over others. The centre of the viewer volition focus on the surface area of emphasis or center of interest get-go, then take in the rest of the composition.

Movement- an artwork means the artist is taking viewers on a trip through the work by means of lines, edges, shapes, and colors ofttimes leading to the focal surface area. Motility is a visual flow through the composition. Information technology tin exist the proposition of motion in a blueprint as you lot move from object to object past way of placement and position. Directional movement tin can be created with a value design. It is with the placement of dark and light areas that you can motion your attention through the format.


Blueprint- fabricated in fine art when the same shapes or elements are repeated again and again. Pattern uses the elements of art in planned or random repetitions to enhance surfaces of paintings or sculptures.

Rhythm- repetition of shapes, lines, and forms. Rhythm is a motion in which some elements recurs

regularly. Like a trip the light fantastic toe, it volition have a flow of objects that volition seem to be like the trounce of music.


Unity- all elements in an artwork are in harmony. Unity brings together a composition with similar units. For example, if your limerick was using wavy lines and organic shapes y'all would stay with those types of lines and not put in even ane geometric shape.

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Source: https://aephotoblog.blogspot.com/2013/09/elements-of-art-and-principles-of.html

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